Human (mostly). Empathic anomaly. Walking narrative influence.
Nora Llewellyn was born on the Welsh coast, where the sea, the sky, and various elderly relatives all told her different versions of who she was supposed to become. She ignored all of them with quiet determination.
Her aura appeared early. At the age of seven, she talked a school computer out of crashing by complimenting its processing speed. By adolescence, teachers refused to let her near group projects because the paperwork began filing itself. No one understood why. Nora certainly didn’t.
She worked briefly in a library, where books rearranged themselves to accommodate her mood. That ended after a thriller section attempted to comfort her with self-help titles.
The Department had classified her from afar for years as a Category-Red Empathic Field Generator, though it avoided contacting her because empathic anomalies tend to argue with paperwork. When her path intersected with Dean’s, her dormant narrative influence awakened fully, leading to the memo resonance, the Frinton incident, and the destabilisation of several weekdays.
Nora’s defining trait is agency: she refuses to be shaped by the story, and the story, confused but respectful, keeps adjusting around her. Her arc is one of self-definition, not transformation.